電子舞曲代表風(fēng)格之科技舞曲 Techno_合肥頂尖DJ培訓(xùn)學(xué)校

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電子舞曲代表風(fēng)格之科技舞曲 Techno

了解更多的音樂風(fēng) 格對于職業(yè)DJ來講是很重要的，不僅要對自己領(lǐng)域內(nèi)的音樂風(fēng)格了如指掌還要適當(dāng)?shù)膶ζ渌L(fēng)格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂，其中就包含搖滾樂和電子樂，很多喜歡變形精鋼的朋友我想都對林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。

本期介紹的是“科技舞曲 Techno”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

科技舞曲 Techno

Techno起源于70年代處（后工業(yè)時(shí)代），BPM約在130拍以上，中文翻譯成“工業(yè)舞曲”。House相比Techno要早出現(xiàn)，因?yàn)楣I(yè)時(shí)代較電子時(shí)代來得早。
Technology，即表示“高科技舞曲”啦！利用電腦，合成器合成，做出一些特殊音效，這種音樂常常是許多音效組合起來的。 Techno的節(jié)拍也是4/4拍，但速度較House快，且聽起來具重復(fù)性，較強(qiáng)硬，較機(jī)械化，所以某些人稱Techno為“工業(yè)噪音”，但某些還是會(huì)注重旋律的。
在典型的Techno舞曲中常要聽到工廠中一些重復(fù)、機(jī)械、固定和單調(diào)的音效影子。90年代Techno開始在歐洲逐漸趨于普及，也是我國北方舞廳舞曲的主要組成。Techno較一般舞曲隆重、激烈和嘈雜。
90年代Techno開始在歐洲逐漸趨于普及，也是我國北方舞廳舞曲的主要組成。Techno較一般舞曲隆重、激烈和嘈雜。TECHNO/TECHNO HOUSE來源于80年代中期的底特律和芝加哥，在80年代中晚期還只是地下的非主流音樂，到了89－92年間已成為美國舞潮的主宰者。其特點(diǎn)是：電子合成鍵盤的強(qiáng)烈電子聲、比利時(shí)風(fēng)格的貝斯擊樂聲、緊湊、狂亂的能量輸出及動(dòng)感，維持在130－150BPM的節(jié)奏。NEW BEAT TECHNO舞曲的歐州分支，節(jié)奏更重一些。流行于比利時(shí)，受到INDUSTRIAL和HI－NRG音樂的影響。
Techno起源于美國底特律，有三名DJ： Derrick May，Kevin Saunderson Juan Atkins嘗試將電子樂與黑人音樂結(jié)合，而產(chǎn)生了Detroit Techno。 Detroit Techno通常較平緩，不像一般的Techno那樣強(qiáng)勁，可說是現(xiàn)代Techno的起源。

Techno had its roots in the electronic house music made in Detroit in the mid-'80s. Where house still had explicit connection to disco even when it was entirely mechanical, techno was strictly electronic music, designed for a small, specific audience. The first techno producers and DJs -- Kevin Saunderson, Juan Atkins, and Derrick May, among others -- emphasized the electronic, synthesized beats of electro-funk artists like Afrika Bambaataa and synth-rock units like Kraftwerk. In the United States, techno was strictly an underground phenomenon, but in England, it broke into the mainstream in the late '80s. In the early '90s, techno began to fragment into a number of subgenres, including hardcore, ambient, and jungle. In hardcore techno, the beats-per-minute on each record were sped up to ridiculous, undanceable levels -- it was designed to alienate a broad audience. Ambient took the opposite direction, slowing the beats down and relying on watery electronic textures -- it was used as come-down music, when ravers and club-goers needed a break from acid house and hardcore techno. Jungle was nearly as aggressive as hardcore, combining driving techno beats with breakbeats and dancehall reggae -- essentially. All subgenres of techno were initially designed to be played in clubs, where they would be mixed by DJs. Consequently, most of the music was available on 12-inch singles or various-artists compilations, where the songs could run for a long time, providing the DJ with a lot of material to mix into his set. In the mid-'90s, a new breed of techno artists -- most notably ambient acts like the Orb and Aphex Twin, but also harder-edged artists like the Prodigy and Goldie -- began constructing albums that didn't consist of raw beats intended for mixing. Not surprisingly, these artists -- particularly the Prodigy -- became the first recognizable stars in techno.

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