頂尖DJ學校帶你認識浩室舞曲 House
了解更多的音 樂風 格對于職業(yè)DJ來講是很重要的，不僅要對自己領(lǐng)域內(nèi)的音樂風格了如指掌還要適當?shù)膶ζ渌L格的音樂有所了解，作為一名職業(yè)DJ，在學DJ初期都會接觸一些 不錯的類型風格音樂，其中就包含搖滾樂和電子樂，很多喜歡變形精鋼的朋友我想都對林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。
本期介紹的是“浩室舞曲 House”，頂尖DJ學校收集整理了一些不同風格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請百度“合肥頂尖DJ培訓中心”！選擇知名DJ學校，教學有保障，來合肥頂尖DJ學校！
浩室舞曲 House
HOUSE是於八十年代沿自 DISCO發(fā)展出來的跳舞音樂。
為什么會叫"House"呢?就是說只要你有簡單的錄音設(shè)備,在家里都做得出這種音樂~House也是電子樂中 最容易被大家所接受的.
這是芝加哥的DJ玩出的音樂， 他們將德國電子樂團Kraftwerk的一張唱片和電子鼓(Drum Machine)規(guī)律的節(jié)奏 及黑人藍調(diào)歌聲混音在一,House就產(chǎn)生啦,為電子舞曲最基本的型式,4/4拍的節(jié)奏, 一拍一個鼓聲,配上簡單的旋律,常有高亢的女聲歌唱. DISCO流行后，一些DJ將它改變，有心將DISCO變得較為不商業(yè)化， BASS和鼓變得更深沈， 很多時變成了純音樂作品，即使有歌唱部分也多數(shù)是由跳舞女歌手唱的簡短句子，往往沒有明確歌詞。 漸漸的，有人加入了LATIN(拉丁)、 REGGAE(瑞格源在西印度群島)、 RAP(說唱)或 JAZZ(爵士)等元素， 至八十年代后期， HOUSE沖出地下范圍，成為芝加哥、紐約及倫敦流行榜的寵兒。
Cher唱的Believe 就是個好例子.而M-People可說是House代表團體.House舞曲在1986年開始流行后,可說是取代了Disco音樂.
House可分為：
Acid House 也就是融合了TB-303的Acid聲的House樂
Deep House 有著相當濃厚的靈魂唱腔,又叫作Garage,蠻流行化的. 像Real Mecoy, M-People, La Bouche都是Garage團體.
Hard House 簡單來說,就是節(jié)奏較重,較猛的House.
Progressive House 這類House沒啥靈魂唱腔,反而比較注重旋律和樂曲編排.有一 點像"演奏類"的House樂. 像SASH!的專輯It''s My Life便是很好的Progressive House專輯.
Epic House 就是"史詩"House. Epic House有著優(yōu)美,流暢的旋律和磅礴的氣勢, 很少會有vocal在里面(幾乎是沒有!). BT的音樂就是很棒的Epic House,而他也被稱作"Epic House天皇". 其實連Rock也有"Epic Rock"
Trible House 想像一下:帶有非洲原始風貌或是印地安人的鼓奏的House是啥樣? 這就是Trible House~ 這種House除了有一般House穩(wěn)定的節(jié)奏外,在每拍之間,會加入一些帶有原始風貌,零碎的鼓點. 蠻有趣的~ 不過,House的范圍太廣了,大家也不用硬要把一首曲子分類.這些只是告訴大家,House很多種"而已。
到了九十年代， HOUSE已減少了那前衛(wèi)、潮流色彩，但仍是很受歡迎的音樂。
House music grew out of the post-disco dance club culture of the early '80s. After disco became popular, certain urban DJs -- particularly those in gay communities -- altered the music to make it less pop-oriented. The beat became more mechanical and the bass grooves became deeper, while elements of electronic synth pop, Latin soul, dub reggae, rap, and jazz were grafted over the music's insistent, unvarying four-four beat. Frequently, the music was purely instrumental and when there were vocalists, they were faceless female divas that often sang wordless melodies. By the late '80s, house had broken out of underground clubs in cities like Chicago, New York, and London, and had begun making inroads on the pop charts, particularly in England and Europe but later in America under the guise of artists like C+C Music Factory and Madonna. At the same time, house was breaking into the pop charts; it fragmented into a number of subgenres, including hip-house, ambient house, and most significantly, acid house (a subgenre of house with the instantly recognizable squelch of Roland's TB-303 bass-line generator). During the '90s, house ceased to be cutting-edge music, yet it remained popular in clubs throughout Europe and America. At the end of the decade, a new wave of progressive house artists including Daft Punk, Basement Jaxx, and House of 909 brought the music back to critical quarters with praised full-length works.
為什么會叫"House"呢?就是說只要你有簡單的錄音設(shè)備,在家里都做得出這種音樂~House也是電子樂中 最容易被大家所接受的.
這是芝加哥的DJ玩出的音樂， 他們將德國電子樂團Kraftwerk的一張唱片和電子鼓(Drum Machine)規(guī)律的節(jié)奏 及黑人藍調(diào)歌聲混音在一,House就產(chǎn)生啦,為電子舞曲最基本的型式,4/4拍的節(jié)奏, 一拍一個鼓聲,配上簡單的旋律,常有高亢的女聲歌唱. DISCO流行后，一些DJ將它改變，有心將DISCO變得較為不商業(yè)化， BASS和鼓變得更深沈， 很多時變成了純音樂作品，即使有歌唱部分也多數(shù)是由跳舞女歌手唱的簡短句子，往往沒有明確歌詞。 漸漸的，有人加入了LATIN(拉丁)、 REGGAE(瑞格源在西印度群島)、 RAP(說唱)或 JAZZ(爵士)等元素， 至八十年代后期， HOUSE沖出地下范圍，成為芝加哥、紐約及倫敦流行榜的寵兒。
Cher唱的Believe 就是個好例子.而M-People可說是House代表團體.House舞曲在1986年開始流行后,可說是取代了Disco音樂.
House可分為：
Acid House 也就是融合了TB-303的Acid聲的House樂
Deep House 有著相當濃厚的靈魂唱腔,又叫作Garage,蠻流行化的. 像Real Mecoy, M-People, La Bouche都是Garage團體.
Hard House 簡單來說,就是節(jié)奏較重,較猛的House.
Progressive House 這類House沒啥靈魂唱腔,反而比較注重旋律和樂曲編排.有一 點像"演奏類"的House樂. 像SASH!的專輯It''s My Life便是很好的Progressive House專輯.
Epic House 就是"史詩"House. Epic House有著優(yōu)美,流暢的旋律和磅礴的氣勢, 很少會有vocal在里面(幾乎是沒有!). BT的音樂就是很棒的Epic House,而他也被稱作"Epic House天皇". 其實連Rock也有"Epic Rock"
Trible House 想像一下:帶有非洲原始風貌或是印地安人的鼓奏的House是啥樣? 這就是Trible House~ 這種House除了有一般House穩(wěn)定的節(jié)奏外,在每拍之間,會加入一些帶有原始風貌,零碎的鼓點. 蠻有趣的~ 不過,House的范圍太廣了,大家也不用硬要把一首曲子分類.這些只是告訴大家,House很多種"而已。
到了九十年代， HOUSE已減少了那前衛(wèi)、潮流色彩，但仍是很受歡迎的音樂。
House music grew out of the post-disco dance club culture of the early '80s. After disco became popular, certain urban DJs -- particularly those in gay communities -- altered the music to make it less pop-oriented. The beat became more mechanical and the bass grooves became deeper, while elements of electronic synth pop, Latin soul, dub reggae, rap, and jazz were grafted over the music's insistent, unvarying four-four beat. Frequently, the music was purely instrumental and when there were vocalists, they were faceless female divas that often sang wordless melodies. By the late '80s, house had broken out of underground clubs in cities like Chicago, New York, and London, and had begun making inroads on the pop charts, particularly in England and Europe but later in America under the guise of artists like C+C Music Factory and Madonna. At the same time, house was breaking into the pop charts; it fragmented into a number of subgenres, including hip-house, ambient house, and most significantly, acid house (a subgenre of house with the instantly recognizable squelch of Roland's TB-303 bass-line generator). During the '90s, house ceased to be cutting-edge music, yet it remained popular in clubs throughout Europe and America. At the end of the decade, a new wave of progressive house artists including Daft Punk, Basement Jaxx, and House of 909 brought the music back to critical quarters with praised full-length works.
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